...but if I were, I'd start the song pretty low with an unmemorable melody, then step it up (in pitch and rhythm) in the prechorus before punching out a high, repetitive, sentimental chorus - the kind that can be sung with eyes shut and hands in the air in an 'I surrender my body to you' kind of a way. And the great thing about a chorus is that you can do it multiple times.
Simone! TMI!
ReplyDeleteSorry. Bad worship songs inspire this kind of response from me! Did you watch the clip I linked to in the post below?
DeleteThe Donna Summer school of worship song writing.
ReplyDeleteYou just put out a very persuasive ad for Hillsong
ReplyDeleteyou know.. I've been pleasantly surprised by the soundness of a lot of recent Hillsong stuff. I can't count on one hand the number I'd use from the last decade, and I just recommended three(!) of them to our music leader.
DeleteI'm pretty sure I recently wrote a song which follows that pattern... and I'm ok with that. I don't see a problem with a song building to a climax, so long as it's grounded in objective truth.
ReplyDeleteInclude a lyric that uses the word "lift" (your eyes, your name, our praises) as code for "lift your hands" in the middle eight/bridge before a transposed final round or two of the chorus
ReplyDeleteKind of on this theme, this is well worth reading: http://www.zachicks.com/blog/2013/1/16/the-worship-leader-as-emotional-shepherd.html
ReplyDelete